Voices of the Self in Daniel Defoe's Fiction

by John Zaixin Zhang | 01 December 1992
PAPERBACK
The alternative Marxist approach to literary criticism in the present study consists of three vocal modes of interpretation: the public voice, the private voice, and the homeless voice of the self. The public voice represents the authorial vision shaped by dominant ideology that covers up the objective real, while the private voice corresponds to the authorial conscious or unconscious insertion into radical ideology that turns the objective real into the ideological real. However, the homeless voice of the self may obliterate any ties with history and ideology. A representation of the Marxist particular interest of the self, the homeless voice echoes in the open space of the text and reaches for the distant real shaped by the reader's interpretive paradigms inside or outside the constraints of the institutional discourse. The alternative Marxist approach values both history and theory in literary criticism, as the interplay between the two may reinforce and supplement each other in their shared interpretive territory of the private voice of the self in the text, although the public voice is more oriented towards history and the homeless voice towards theory. The different voices of the self are exemplified in a critical reading of Daniel Defoe's Robinson Crusoe, Captain Singleton, Moll Flanders, and Roxana. Such a study profits from both modern critical theory (reader response, postmodernism, and feminist theory, etc.) and historical insights into Defoe's fiction (religious hermeneutics, theology and medicine, and gender issues in the eighteenth century, etc.)
€54.60
163 Reward Points
Currently out of stock
Orders will not be processed until after the current Coronavirus (COVID-19) restrictions are lifted
Eligible for free delivery

Any purchases for more than €10 are eligible for free delivery anywhere in the UK or Ireland!

The alternative Marxist approach to literary criticism in the present study consists of three vocal modes of interpretation: the public voice, the private voice, and the homeless voice of the self. The public voice represents the authorial vision shaped by dominant ideology that covers up the objective real, while the private voice corresponds to the authorial conscious or unconscious insertion into radical ideology that turns the objective real into the ideological real. However, the homeless voice of the self may obliterate any ties with history and ideology. A representation of the Marxist particular interest of the self, the homeless voice echoes in the open space of the text and reaches for the distant real shaped by the reader's interpretive paradigms inside or outside the constraints of the institutional discourse. The alternative Marxist approach values both history and theory in literary criticism, as the interplay between the two may reinforce and supplement each other in their shared interpretive territory of the private voice of the self in the text, although the public voice is more oriented towards history and the homeless voice towards theory. The different voices of the self are exemplified in a critical reading of Daniel Defoe's Robinson Crusoe, Captain Singleton, Moll Flanders, and Roxana. Such a study profits from both modern critical theory (reader response, postmodernism, and feminist theory, etc.) and historical insights into Defoe's fiction (religious hermeneutics, theology and medicine, and gender issues in the eighteenth century, etc.)
Currently out of stock
Orders will not be processed until after the current Coronavirus (COVID-19) restrictions are lifted
Eligible for free delivery
163 Reward Points

Any purchases for more than €10 are eligible for free delivery anywhere in the UK or Ireland!

€54.60
Currently out of stock
Orders will not be processed until after the current Coronavirus (COVID-19) restrictions are lifted
Eligible for free delivery
163 Reward Points

Any purchases for more than €10 are eligible for free delivery anywhere in the UK or Ireland!

Product Description

The alternative Marxist approach to literary criticism in the present study consists of three vocal modes of interpretation: the public voice, the private voice, and the homeless voice of the self. The public voice represents the authorial vision shaped by dominant ideology that covers up the objective real, while the private voice corresponds to the authorial conscious or unconscious insertion into radical ideology that turns the objective real into the ideological real. However, the homeless voice of the self may obliterate any ties with history and ideology. A representation of the Marxist particular interest of the self, the homeless voice echoes in the open space of the text and reaches for the distant real shaped by the reader's interpretive paradigms inside or outside the constraints of the institutional discourse. The alternative Marxist approach values both history and theory in literary criticism, as the interplay between the two may reinforce and supplement each other in their shared interpretive territory of the private voice of the self in the text, although the public voice is more oriented towards history and the homeless voice towards theory. The different voices of the self are exemplified in a critical reading of Daniel Defoe's Robinson Crusoe, Captain Singleton, Moll Flanders, and Roxana. Such a study profits from both modern critical theory (reader response, postmodernism, and feminist theory, etc.) and historical insights into Defoe's fiction (religious hermeneutics, theology and medicine, and gender issues in the eighteenth century, etc.)

Product Details

Voices of the Self in Daniel Defoe's Fiction

ISBN9783631456057

FormatPAPERBACK

PublisherPETER LANG EDITION (01 December. 1992)

No. of Pages170

Weight250

Language English (United States)

Dimensions 210 x 148