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Virtual hallyu

by Kyung Hyun Kim | 10 October 2011
PAPERBACK
Category: Films Cinema & DVD
Synopsis
"[T]his fine book . . . . enlarges our vision of one of the great national cinematic flowerings of the last decade."-Martin Scorsese, from the foreword In the late 1990s, South Korean film and other cultural products, broadly known as hallyu (Korean wave), gained unprecedented international popularity. Korean films earned an all-time high of $60.3 million in Japan in 2005, and they outperformed their Hollywood competitors at Korean box offices. In Virtual Hallyu , Kyung Hyun Kim reflects on the precariousness of Korean cinema's success over the past decade. Arguing that state film policies and socioeconomic factors cannot fully explain cinema's true potentiality, Kim draws on Deleuze's concept of the virtual-according to which past and present and truth and falsehood coexist-to analyze the temporal anxieties and cinematic ironies embedded in screen figures such as a made-in-the-USA aquatic monster (The Host ), a postmodern Chosun-era wizard (Jeon Woo-chi ), a schizo man-child (Oasis ), a weepy North Korean terrorist (Typhoon ), a salary man turned vengeful fighting machine (Oldboy ), and a sick nationalist (the repatriated colonial-era film Spring of Korean Peninsula ). Kim maintains that the full significance of hallyu can only be understood by exposing the implicit and explicit ideologies of protonationalism and capitalism that, along with Korea's ambiguous post-democratization and neoliberalism, are etched against the celluloid surfaces.
€27.99
83 Reward Points
Currently out of stock
Delivery in 5-7 Days
Eligible for free delivery

Any purchases for more than €10 are eligible for free delivery anywhere in the UK or Ireland!

Synopsis
"[T]his fine book . . . . enlarges our vision of one of the great national cinematic flowerings of the last decade."-Martin Scorsese, from the foreword In the late 1990s, South Korean film and other cultural products, broadly known as hallyu (Korean wave), gained unprecedented international popularity. Korean films earned an all-time high of $60.3 million in Japan in 2005, and they outperformed their Hollywood competitors at Korean box offices. In Virtual Hallyu , Kyung Hyun Kim reflects on the precariousness of Korean cinema's success over the past decade. Arguing that state film policies and socioeconomic factors cannot fully explain cinema's true potentiality, Kim draws on Deleuze's concept of the virtual-according to which past and present and truth and falsehood coexist-to analyze the temporal anxieties and cinematic ironies embedded in screen figures such as a made-in-the-USA aquatic monster (The Host ), a postmodern Chosun-era wizard (Jeon Woo-chi ), a schizo man-child (Oasis ), a weepy North Korean terrorist (Typhoon ), a salary man turned vengeful fighting machine (Oldboy ), and a sick nationalist (the repatriated colonial-era film Spring of Korean Peninsula ). Kim maintains that the full significance of hallyu can only be understood by exposing the implicit and explicit ideologies of protonationalism and capitalism that, along with Korea's ambiguous post-democratization and neoliberalism, are etched against the celluloid surfaces.
€27.99
83 Reward Points
Currently out of stock
Delivery in 5-7 Days
Eligible for free delivery

Any purchases for more than €10 are eligible for free delivery anywhere in the UK or Ireland!


Product Details

ISBN - 9780822351016
Format - PAPERBACK
Publisher - Duke University Press
Published - 10/10/2011
Categories - All, Books, Entertainment and Music, Entertainment Books, Films Cinema & DVD
No. of Pages - 304
Weight - 394
Edition -
Series - - Not Available
Page Size - 0
Language - en-US
Readership Age - Not Available
Table of Contents - Not Available

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