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Performative plautus

by Rodrigo Tadeu Gonçalves | 01 December 2015
Synopsis
This book provides a theoretical and philosophical framework for the analysis of Plautus within a performative and philosophical perspective on language and theatrical performance. The book offers an insightful understanding of Plautus' texts as more than simple literary remains of "archaic" Latin literature, but as witnesses of a process of using language to perform an entire world through the recognition of the power of language itself as a creative and constitutive agent of theatrical codification and variation of its own rules and conventions. The analyses of several of Plautus' plays are carried out through the lenses of Cassin's proposal of an effet monde as a result of a performative sophistic view on language (especially regarding the sophists, as in her 1995 work L'effet sophistique), as well as Florence Dupont's unique stance on Roman Comedy as an example of non-Aristotelian theater, based on metatheater and convention-variation as special characteristics of a ludic theater which plays around with its own rules after putting them in the foreground. Barbara Cassin and Florence Dupont also contribute with a foreword and a preface.
€58.79
176 Reward Points
Currently out of stock
Delivery 5-7 Days
Eligible for free delivery

Any purchases for more than €10 are eligible for free delivery anywhere in the UK or Ireland!

Synopsis
This book provides a theoretical and philosophical framework for the analysis of Plautus within a performative and philosophical perspective on language and theatrical performance. The book offers an insightful understanding of Plautus' texts as more than simple literary remains of "archaic" Latin literature, but as witnesses of a process of using language to perform an entire world through the recognition of the power of language itself as a creative and constitutive agent of theatrical codification and variation of its own rules and conventions. The analyses of several of Plautus' plays are carried out through the lenses of Cassin's proposal of an effet monde as a result of a performative sophistic view on language (especially regarding the sophists, as in her 1995 work L'effet sophistique), as well as Florence Dupont's unique stance on Roman Comedy as an example of non-Aristotelian theater, based on metatheater and convention-variation as special characteristics of a ludic theater which plays around with its own rules after putting them in the foreground. Barbara Cassin and Florence Dupont also contribute with a foreword and a preface.
€58.79
176 Reward Points
Currently out of stock
Delivery 5-7 Days
Eligible for free delivery

Any purchases for more than €10 are eligible for free delivery anywhere in the UK or Ireland!


Product Details

ISBN - 9781443882576
Format -
Publisher -
Published - 01/12/2015
Categories - All, Books, Fiction, Literature, Literary Reference & Essays
No. of Pages - 130
Weight - 338
Edition - 1
Series - - Not Available
Page Size - 22
Language - en-US
Readership Age - Not Available
Table of Contents - Not Available

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