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'What a writer he was; he could flip over a sentence so gently, and show the underbelly in a heartbeat. His work is always quietly compassionate' Elizabeth Strout In this final collection of ten exquisite, perceptive and profound stories, William Trevor probes into the depths of the human spirit. Here we encounter a tutor and his pupil, whose lives are thrown into turmoil when they meet again years later; a young girl who discovers the mother she believed dead is alive and well; and a piano-teacher who accepts her pupil's theft in exchange for his beautiful music. These gorgeous stories - the last that Trevor wrote before his death - affirm his place as one of the world's greatest storytellers.
'Trevor is a master of both language and storytelling' Hilary Mantel 'He is one of the great short-story writers, at his best the equal of Chekhov' John Banville 'The greatest living writer of short stories in the English language' - New Yorker
In a narrative as mysterious as memory itself - at once both shadowed and luminous - Warlight is a vivid, thrilling novel of violence and love, intrigue and desire. It is 1945, and London is still reeling from the Blitz and years of war. 14-year-old Nathaniel and his sister, Rachel, are apparently abandoned by their parents, left in the care of an enigmatic figure named The Moth. They suspect he might be a criminal, and grow both more convinced and less concerned as they get to know his eccentric crew of friends: men and women with a shared history, all of whom seem determined now to protect, and educate (in rather unusual ways) Rachel and Nathaniel.
But are they really what and who they claim to be? A dozen years later, Nathaniel begins to uncover all he didn't know or understand in that time, and it is this journey - through reality, recollection, and imagination - that is told in this magnificent novel.
Arnold Thomas Fanning had his first experience of depression during adolescence, following the death of his mother. Some ten years later, an up-and-coming playwright, he was overcome by mania and delusions. Thus began a terrible period in which he was often suicidal, increasingly disconnected from family and friends, sometimes in trouble with the law, and homeless in London. Drawing on his own memories, the recollections of people who knew him when he was at his worst, and medical and police records, Arnold Thomas Fanning has produced a beautifully written, devastatingly intense account of madness - and recovery, to the point where he has not had any serious illness for over a decade and has become an acclaimed playwright. Fanning conveys the consciousness of a person living with mania, psychosis and severe depression with a startling precision and intimacy.
Mind on Fire is the gripping, sometimes harrowing, and ultimately uplifting testament of a person who has visited hellish regions of the mind.
'Henrietta McKervey is a storyteller of rare gifts. Violet Hill is a wonderfully assured and compelling novel, so evocative of a London that has long ceased to be, yet crackling on every page with urgently contemporary resonance and meaning. I could not put it down.' Joseph O'Connor December 1918: Post-War London is grieving, the city a wound whose dressing was taken off too soon. Violet Hill, the only female private detective in the city, is hired by Sir Arthur Conan Doyle's business manager to uncover spiritual trickery he believes is deceiving his employer. January 2018: Susanna is a super-recogniser, one of an elite Met Police team of officers with extraordinary powers for facial recognition. When a freak injury causes her unusual ability to suddenly disappear, a dangerous criminal whom she no longer recognises decides to close in. Compelling stories across two eras weave into this page-turning, literary adventure of identity, deception, danger - and detection.